John Doe Marks the Spot
X's punk icon goes beyond and back

Published by Rhino.com
9/18/01

Punk rock never dies. It just has kids. That goes for the music and the people who make it. OK, maybe they're not all running around procreating, but you can be sure that the best of them aren't sitting on the front porch waiting for sweet death to afford them a bull session with Sid Vicious. Movement and challenge are threads running through the denim of John Doe's life. He left Baltimore for Los Angeles in 1976 to be a songwriter. After seven X albums, a handful of solo and side projects, and numerous film roles, Doe moved to the outskirts of town, where he now lives with his wife and three daughters. He continues to act and make music, appearing in the TV show Roswell and holding down at least a couple of bands. Here's what he said about Rhino's recent X reissues and random other stuff.

What's been your involvement in these reissues?
I helped research names and places. I organized the bonus tracks and helped find a bunch of them. I oversaw the mastering, and Exene, DJ, and I looked at hundreds of pictures to choose what should go in each package.

Why do you think LA punk took on a more rootsy sound?
That would be later. LA punk was very much like New York in that it was very eclectic when it first started: The Screamers, Weirdos, Germs, X, Plugz, Go-Go's. It wasn't until The Blasters and the rockabilly wave came in 1981 that it turned to a more roots style. I think Billy Zoom brought rockabilly guitar to punk rock.

What did the New York and London punk scenes mean to you guys?
It was all just inspiration. Everybody was there when bands from New York or England came. The Ramones, Blondie, The Damned, and DEVO had the biggest impact.

Did signing to a major label influence the way X recorded?
Not at all. It influenced some people's opinion of us.

You moved out of LA, saying that you no longer found it inspiring.
LA changes every five to ten years. And once all the restaurants and little places you used to go are gone, you decide whether you want to reacquaint yourself with the city or move.

How has fatherhood changed you?
It's a great source of emotional security and constant change. You're confronted with a whole new set of circumstances every day, and you have to figure out how to make that work.

On those early albums you dealt a lot with marriage and relationships. How would those songs be different if you wrote them today?
Not a whole lot different. That's one of the constants of this world: Life and relationships are a struggle.

What's gonna be the next underground music?
It's gonna be rock bands. Three bands that seem to be getting a lot of attention -- and are different -- are The Pattern, The Strokes, and The White Stripes. They all remind me of punk rock.

Is punk dead?
Is rock dead? As Chuck Berry once said, 'Rock 'n' roll will never die.' People have been asking that since 1981, and now punk rock is subculture. It's a rite of passage for many people. So it's kind of a dumb question.

Speaking of dumb questions, what's the coolest thing about being in a rock band?
The challenge. The worst thing, as you get older, is the lack of security.

What are some of the social issues you care about?
I did a commercial for CARE. I'm also involved in an organization to free the West Memphis Three -- three teenagers convicted of murder in Arkansas. It was a total miscarriage of justice.

 

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